Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. |
diss. |
| | 2001 |
|
|
| 2. | Otsuka, Naoya | J. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. [A study on J. S. Bach's Keyboard Toccatas: consideration on the origin of BWV 910-916 and the concept of clavier] PhD diss., Tokyo National University of Fine Arts and Music, 2001. |
diss. |
| | 2001 |
|
|
| 3. | Jung, Ja Young | Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. DMA diss, City University of New York, Graduate Center, 2001. 144p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-50734-5. Dissertation No: 3037408. |
diss. |
| | 2001 |
144p |
|
| 4. | Edge, Dexter | Mozart's Viennese copyists. PhD diss, University of Southern California, 2001. 2416p. |
diss. |
| | 2001 |
2416p |
|
| 5. | Davis, Stacey | Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. PhD diss. Northwestern University, 2001, 266p. Advisor: Richard Ashley. |
diss. |
| | 2001 |
266p |
|
| 6. | Sanders, Reginald LeMonte | Carl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788. PhD diss., Yale University, 2001. 316p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-43837-8; 978-0-493-43837-5. Dissertation No: 3030822 |
diss. |
| | 2001 |
316p |
|
| 7. | Cole, Warwick | The Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach. PhD diss., Birmingham Conservatoire (UCE), 2001. 2 vols, 357pp. |
diss. |
| | 2001 |
357p |
|
| 8. | Piña Rebeil, Juan Carlos | La guitarra clásica a travéz de los períodos barroco y contemporáneo. BMus diss., Universidad de las Américas Puebla, 2003. http://catarina.udlap.mx/u_dl_a/tales/documentos/lmu/pina_r_jc/portada.html [Capítulo 1. Johann Sebastian Bach (1685-1750) Cuarta Suite para Laúd en Mi Mayor BWV 1006a (1723-1731)] |
diss. |
| | 2001 |
35p |
|
| 9. | White, Andrew Carl | 'Good invention repaid with interest': The Importance of Borrowing in Bach's Compositional Process. PhD diss., Musicology, City University of New York, 2001. 380p. - Ann Arbor, MI: ISBN: 0-493-18605-0; 978-0-493-18605-4. Dissertation No: 3008882. - Saarbrücken: LAP Lambert Academic Publishing, 2010. iii, 380p. ISBN 978-3-8383-1749-6. |
diss. |
| | 2001 |
380p |
|
| 10. | Sun, Chiao-Ling | Violin and dance in the Baroque era: The unaccompanied violin Partita BWV 1002 by Johann Sebastian Bach. DMA diss, Univ. of California Santa Barbara, 2001. 56p. Advisor: Geoffrey Rutkowski. |
diss. |
| | 2001 |
56p |
|
| 11. | Kalshoven, Laura Ann | Viola da gamba sonatas by Johann Sebastian Bach and sons (Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach. DMA diss., Univ. of Maryland, College Park, 2001. 57p. Advisor: Gerald Fischbach. |
diss. |
| | 2001 |
57p |
|
| 12. | Macri, Chiara | La prassi esecutiva pianistica nei suoi fondamenti storici ebiomeccanici: Una nuova ipotesi metodologica. [The historical and biomechanic principles of the piano performance practice: A new methodogical hypothesis] lau, Universita degli Studi di Bologna-Facolta di Lettere e Filosofia, 2001. 683 p. |
diss. |
| | 2001 |
683p |
|
| 13. | Trolier, Kimberly Ann | Analytical topics in Bach's flute sonatas. DMA diss., Temple University, 2001. 79p |
diss. |
| | 2001 |
79p |
|
| 14. | Wallis, Byron Malcolm | Virtuosity and Illusion: Bach's C-major Solo Violin Fugue in the History of Violin Polyphony. PhD diss. University of California, Santa Barbara, 2001, 90p. Advisor: Geoffrey Rutkowsky. |
diss. |
| | 2001 |
90p |
|
| 15. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. |
diss. |
| | 2001 |
92p |
|
| 16. | Hess, Kimberly Ann | The organ sonatas of Carl Philipp Emanuel Bach. DMA diss., University of Illinois at Urbana-Champaign, 2001, v, 223p. |
diss. |
| | 2001 |
v, 223p |
|
| 17. | Elbon, Virginia Elizabeth | Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'. Master of Music Theory diss., West Virginia University, 2001. vii, 33p |
diss. |
| | 2001 |
vii, 33p |
|
| 18. | Power, Tushaar | J.S. Bach and the Divine Proportion. PhD., Duke University, Durham [USA], 2001. xi, 255p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-54647-2; 978-0-493-54647-6; Dissertation No: 3041307. |
diss. |
| | 2001 |
xi, 255p |
|
| 19. | Brass, Christophe | La basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach. [The fundamental bass in The well-tempered clavier of J.S. Bach] PhD diss., U. de Strasbourg II [Marc Bloch], 2001. 3 vols., xii, 867 p |
diss. |
| | 2001 |
xii, 867 p |
|
| 20. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0. |
diss. |
| | 2001 |
xv, 199p |
|